Not to put too fine a point on it, but the Good Lovelies are kind of having their moment.
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That’s impressive considering the JUNO Award–winning roots-pop combo of Caroline Brooks, Kerri Ough, and Susan Passmore are more than a decade into a career that has yielded four widely acclaimed studio albums, two Christmas collections (including 2019’s gorgeous Evergreen), two EPs, a live album, and a #1 single ("I See Gold" from 2018’s smash Shapeshifters) plus devoted fans in Europe, Australia, the U.S. and homeland Canada, where performances alongside the Toronto Symphony Orchestra are not unheard of.
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The trio is poised to soar even higher in the roaring 2020s on every conceivable front. There’s recording new material and touring, sure, but also tangible green initiatives, a plan to achieve gender parity in the studio, a bold embrace of the digital age, and the release of their "Live Taping Show" from February 2019 which found the Good Lovelies and their five-piece band in peak form before rolling cameras on a gorgeous stage in Huntsville, Ontario.
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The talented and hardworking Good Lovelies — guitar-wielding songwriters all, and queens of the goose bump–raising three-part harmony —wear age 13 (they formed in 2006) with grace and ambition. The best really is yet to come.